LESSONS WILL BE TAUGHT IN A GREAT REHEARSAL SPACE -THE FRIENDS MEETING HOUSE IN HAMPSTEAD.
Fully DBS (CRB) checked. I have helped students gain places at RADA, Guildhall and other top drama schools.
Alongside my acting work, I have run workshops and directed courses with children and young people at Shakespeare's Globe for the past 13 years.
Performing speeches, modern or classical, can be daunting. Approaching Shakespeare can be intimidating. It needn't be. I want my students to obtain total ownership of the language, of their characters, and their performance. Using professional exercises to unlock the text and create heartfelt and truthful performances. I also have huge experience in auditioning and working within the industry in all fields so i can shape work accordingly. Above all i want my actors to enjoy themselves and learn to love their work as much as possible.
I can help with all drama school audition prep, as well as advise on how to conduct auditions and interviews etc. We can also work on poetry, storytelling and LAMDA exam work. Whatever is most applicable to you or your children.
I graduated from RADA in 2004, but started working as an actor when i was 12! Since RADA I have combined my work as an actor on stage and on screen with my passion for teaching and directing, helping to guide and advise those just entering, or considering entering, the industry. I teach and perform at Shakespeare's Globe, most recently in Macbeth, and I direct at RADA as well as working one to one with students of all ages. I love my work as an actor and i love my work as a teacher.
14 different productions as an actor at Shakespeares Globe.
Working with David Suchet in The Importance of Being Earnest in the West End 2016.
Working with Martin Freeman in Richard III in the West End in 2015
Work at The RSC in Stratford-Upon-Avon
Acting in ITV's Girlfriends alongside Miranda Richardson and Zoe Wanamaker.
Teaching at RADA and East 15 drama schools.
Working on The Sam Wanamaker Festival leading workshops on performing Shakespeare with students from all the major drama schools.
Guiding several students to places at top drama schools including RADA.
PHILIP CUMBUS - Actor, Director, Teacher
ACTING TRAINING – 3 Year course at The Royal Academy of Dramatic Art (RADA) BA Acting
Other Training – Distinction for BTEC Diploma in Performing Arts, GCSE A* in Drama and A* in Expressive Arts.
Theatre Acting includes – Banquo in Macbeth (Shakespeare’s Globe SW Playhouse) The Best Man (West End), The Resistible Rise of Arturo Ui (Donmar Warehouse), Comus (Shakespeare’s Globe), The Inn At Lydda (Wanamaker Playhouse), First Light (Minerva Theatre Chichester), Algernon Moncrieff in The Importance of Being Earnest (Vaudeville Theatre West End), ‘Tis Pity She’s a Whore (Wanamaker Playhouse), Richmond in Richard III (Trafalgar Studios starring Martin Freeman), Moon Tiger (Theatre Royal Bath and tour), The Lightning Child, Macbeth, Much Ado About Nothing, The Globe Mysteries, title role in Macbeth (Shakespeare’s Globe and UAE tour) Helen, Mercutio in Romeo and Juliet, Bassanio in The Merchant of Venice and Holding Fire (Shakespeare’s Globe), Norman in The Norman Conquests (Liverpool Playhouse), 66 Books (Bush Theatre), Love’s Labour’s Lost (Shakespeare’s Globe and USA tour), The Crucible (Regent’s Park Open Air Theatre), The Man Who Had All the Luck (Lyceum Theatre Edinburgh), The Master Builder, In Praise of Love (Minerva Theatre Chichester), JL Carr’s A Month in the Country, and Vincent Van Gogh in Vincent in Brixton (Salisbury Playhouse), title role in Edward II (BAC), The Seagull (Northcott Theatre), The Duchess of Malfi (WYP), Great Expectations (RSC), The Fence (The Wrestling School), The Soldier (Edinburgh Fringe),
Television includes The Spanish Princess (STARZ and Amazon Prime coming mid-2019), Girlfriends (ITV), The Rebel (Sky Gold), A Touch of Frost, Hope and Glory, My Hero.
Radio includes Our Brave Boys, The Story of St Francis
Films include the short A Doll’s House.
TEACHING AND DIRECTING WORK
Directing the Shakespeare Project at RADA in 2016 with second year acting students. Including Jamael Westman who now plays the title role in ‘Hamilton’ in London.
Directing Shakespeare Scene Study and monologues at RADA with NYU Students.
Directing a Shakespeare Sonnet Project at RADA with the three year acting course students in conjunction with The British Museum.
10 years of work at Shakespeare’s Globe teaching Shakespeare and acting to secondary school students, GCSE and A level, university students and teachers in training as well as working with students from virtually all the drama schools across the UK. I have taught students across the world, leading workshops in how to approach and perform Shakespeare.
Audition Prep and speech work with modern and classical texts with various talented students over the years.
Perfect! Philip is one of the best acting tutors I have worked with. His approach to your monologues is so detailed and has really transformed my monologues by working in depth on the texts and performance. Philip has also instilled a great level of confidence in me for auditioning. It has been an absolute joy working with Philip to explore my texts and better my performance where I can confidently say that Philip has taken my performance to a new level. I highly recommend Philip to anyone auditioning for drama school or acting coaching.
Philip is a highly skilled actor and tutor. His experience and love for the craft shines through in all his work. He has support me and help me grow as a professional actor. His insight and ability to guide you in getting results is why i would recommend him.
My daughter was a member of the Globe Young Players a few years ago and performed at the Sam Wanamaker Playhouse when Phil was an acting coach on the team. She is now a professional actress and benefited hugely from Phil's advice and encouragement. She remembers how excellent he was at treating everyone as an individual and bringing out their latent skills. I would recommend Phil to anyone who needs encouragement and confidence. His considerable skill as an actor is communicated and shared with his pupils.
I learned so much off Philip while working with him at The Globe Theatre, I was a new actor straight out of drama school and it was my first job, he was extremely knowledgeable and I looked up to him. He was always on hand to help me with text and historical context, and assist in making apt choices. He was a ridiculously calming influence and great fun to be around.
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