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£25/h
1st lesson free!
Tutor profile verified
Response Time 24h
Lessons offered by Ivana
  • Individual
  • In group
The lessons will be held
  • at her home
  • at your home
  • By webcam
Taught subjects
  • History
  • Sociology
  • Philosophy
  • Art history
  • History of Philosophy
  • Mythology
Levels
  • All Levels

MA Art History student w. art skills, highly competent with philosophy/history/art history

Methodology

I will structure lessons according to a students' area of interest and desired number of sessions. I will provide PowerPoint slides of pre-prepared images and lists of key texts. My aim is to develop a student's understanding through comparative exercises and would like them to gain an awareness of theoretical and philosophical issues. If the student is keen on learning historical facts and figures, it's nice to test this out in a pop quiz.

Experience

I have a first degree in Art History from UCL where I'm now studying the same subject at MA level. I have previously taken modules in the History of Political Thought, and European History and would also feel comfortable teaching philosophy. I have a sound theoretical and historical knowledge of pre modern to contemporary Western and South American art.

Rates

Rate for online lessons : £25/h
Rate for 5 hours of lessons : £120
Rate for 10 hours of lessons : £235
Lessons offered by Ivana
Individual
In group
The lessons will be held
at her home
at your home
webcam
Taught subjects
  • History
  • Sociology
  • Philosophy
  • Art history
  • History of Philosophy
  • Mythology
Levels
  • All Levels

Ivana's CV

EDUCATION
2016-2018 — UNIVERSITY COLLEGE LONDON — HISTORY OF ART MA, PART TIME
• 1st year special subject: Tracing the Body: Technologies of Representation in 18th and 19th Century
France. Tutors: Mechtild Fend and Richard Taws
• 2nd year special subject: Art as Theory: The Writing of Art (20th century to present). Tutor: Briony Fer

2009-2012 — UNIVERSITY COLLEGE LONDON — HISTORY OF ART BA HONS, 2:1

WORK EXPERIENCE


EVENTS & COMMERCIAL OPERATIONS COORDINATOR, EASTBURY MANOR HOUSE, LONDON — JUNE 2015 - SEPTEMBER 2016
Continuation of the previous role at Eastbury Manor House with the added responsibilities of:
• Developing the private and business venue hire in-house offer for décor, catering and drinks.
• Taking venue hire bookings, meeting with potential hirers, taking care of the administrative process and being a responsive first point of contact.
• Arranging the process for recruiting casual staff and conducting interviews.
• Organising the staff rota and line managing the Events Supervisor and 13 casual staff.
• Maintaining relationships with existing suppliers and developing new relationships with events and catering equipment suppliers and external caterers.
• Increased legal capacity of the venue, resourced floor protection, updated T & Cs.
• Achieved a £6000 venue hire increase in income for January to June compared to the previous year.
• Reason for leaving: to start my MA course at UCL

 
 
 
 




EVENTS OFFICER, EASTBURY MANOR HOUSE, LONDON— MAY 2014-JUNE 2015
• Coordinated a community minded public events programme of historical family entertainment, seasonal workshops, talks, ‘dinner and a show’ and fairs, achieving full capacity most of the time.
• Administering expenditure on a £3000 a year budget, using income to plan further events.
• Completed risk assessments, was responsible on site and documented the events.
• Recruited 9 new volunteers and managed 25 volunteers to staff the property for 60 hours per week and support events, marketing, tour guiding, education and the tearoom.
• Wrote funding applications and was successful on one occasion.
• Produced digital and print copy and adapted a marketing strategy with the Communications department.
• Maintained and updated: contacts lists, social media channels, monthly newsletter and website.
• Worked with stakeholders such a English Heritage, National Trust, Punchdrunk, Heritage Lottery Fund, Discover Metropolitan Essex and several community interest groups.
• Liaised with journalists from the Barking and Dagenham Post and organised National Trust photoshoots.
• Assisted with venue hire operations by managing one off high profile events.

SOCIAL MEDIA AND MARKETING INTERN, LB OF BARKING AND DAGENHAM — 
 JANUARY 2014 - MAY 2014
• Working across the Heritage, Leisure and Libraries service areas to coordinate a more effective use of digital marketing and communications. I produced social media content, a newsletter and organised a day and a half long social media training seminar.

AQUARIUM RESEARCH VOLUNTEER, HORNIMAN MUSEUM AND GARDENS, LONDON — 
 MARCH 2013 - MAY 2014
Academic Writing and Research
• Conducted a research project on botanist and pioneer of photography Anna Atkins’ Cyanotypes of
British Algae.
• Submitted articles to ‘History of Natural History’ and ‘History of Photography’.

EVENTS AND MEDIA INTERN, FREUD MUSEUM, LONDON — MARCH 2013 - NOVEMBER 2013
PR and Communication
• Provided administrative support and liaised with artists at conferences, talks and exhibition openings.
• Using social media and events platforms.
• Wrote an article for the Sunday Times.
• Produced a report on future digital strategies and upcoming digital innovations.

INTERN, ASSOCIATION OF ANAESTHETISTS HERITAGE CENTRE, LONDON — 
 MARCH 2013 - JULY 2013
Collection Management & Cataloguing
• Auditing the drugs safe: researching storage solutions; standardising the way that objects are named in the catalogue; inputting data into the database including photographs; analysing condition and flagging mis-catalogued objects.
• Arranged for objects to be taken for specialist conservation treatments.
• Assisted visitors using the library.
Curated a temporary display cabinet exhibition:
• Researched, wrote exhibition material and chose objects for ‘Edgar Pask: Anaesthetist and Maverick’
 and wrote an article for Anaesthesia News as promotion.


VOLUNTEER, BURGH HOUSE AND HAMPSTEAD MUSEUM, LONDON — FEBRUARY 2013 - JUNE 2013
Collection audit and preparing the collection for digitisation:
• Catalogued and described objects.
• Drew up a location plan and method statement.
• Implemented best practice in storage and care of objects including: paintings, documents, prints, photographs, textiles and 3D objects.
• Flagged up objects which are in poor condition and contacting conservators.
• Took digital reproductions and edited images from the collection.


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